Hong Chun Zhang’s descriptions of hair in charcoal are large and realistic portraits of Zhang and her twin sister, impressive in technique and imposing scale (each four by ten feet). And as the only representational drawings in Infinite Line, their content, and concepts enter with greater force. Zhang has a clear desire to establish these works contextually. Hair is unusual; while the rest of the visible body is built and destroyed vertically, layers sloughed and rebuilt, hair speaks in linear narrative, growth inscribing history. Zhang’s body of work is primarily dedicated to her own cultural history, family and ancestry, and these drawings are a frontispiece, working as resounding physical records.